![]() ![]() “They like to spend the time in the studio,” came the brief explanation from someone called Tomas from Maratone, a virtual dish-session compared to the sparse information directly from the pair.Įven though Martin’s lurking presence is an open secret in the music industry, those whose careers depend on belting out “their” innermost feelings of sadness, despair and giddy love, are tight-lipped and reluctant to go on the record about the extent of the reach of this one man. ![]() Martin is so busy producing and writing every pop song you like, that he shuns interviews. Their fingerprints are all over the next one, too. And while Swift may have been “feeling twenty-two,” so, apparently, were Martin (born Martin Karl Sandberg) and his frequent collaborator, Karl Johan Schuster, 29, better known (but not by the listening public!) as Shellback.īoth were credited with co-writing three of Swift’s most popular songs from her “Red” album, toiling, like secret elves, in their Maratone studios outside Stockholm, the modern era’s version of the Beatles’ Abbey Road. He shared credit with Bryan Adams on two songs. Bon Jovi sang “It’s My Life,” but it was actually co-written by Martin when Britney Spears confessed that she was “not a girl, not yet a woman,” Martin co-wrote that one, too.Įven the best-known accomplished songwriters have tracks written by Martin in their repertoires. ![]()
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